“ Pokémon is the latest series being produced at OLM Asia, and it's significant in that it utilizes important and specific digital animation tools needed to help artists keep up with the high production speed of anime, which often requires over 300 shots or 4,000 - 5,000 individual drawings per episode.” Hiroyuki Kato, their method of anime production is both time consuming and exacting in its hand-drawn style. A typical animator would train for two months before entering the production force more than several dozen newly trained animators are now working at the Malaysian studio.Īccording to animation producer, Mr. OLM Asia helps keep the studio’s tradition of hand-drawn Japanese Animation alive, housing two Japanese sakuga staff who mentor local animators. In December 2017, the company launched their Malaysian studio, OLM Asia SDN BHD, in Kuala Lumpur’s Cyberjaya district, to expand their digital animation and finishing capacity. OLM is currently branching out into overseas TV series and film production. And it was Celsys’ Clip Studio Paint that provided the digital painting tools needed to produce the hand-drawn animation look at the heart of the show’s signature visual design and appeal.Įstablished in 1994 as an animation and video production studio, OLM Group produces 2D and 3D animation as well as VFX for a number of top shows, including the hit Pokémon series. For Japanese animation studio OLM Group, the debut of their latest entry in the Pokémon anime series is testament to their expansion strategy into Malaysia, which enabled them to enlist and train the additional 2D artists needed to produce their highly acclaimed and hugely successful show.
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